Their subsequent romance is the part of the film which truly does jump off a cliff.

Of course, David only encounters his old nemesis while on the lookout for childhood sweetheart Millie (Rachel Bilson). While Jumper does attempt a surface-level exploration of some weighty themes, it could never be accused of taking itself too seriously. His ability to transport anything or anyone he touches also entertains: see how he bewilders his former school bully with a street altercation that immediately shifts to a locked bank vault. In another brawl, David throws a punch in Japan and avoids the retaliation in the Big Apple. Roland’s weapon of choice is a cable contraption which sends 1000 volts of electricity pulsing through his victim’s brains, something which David only just manages to evade during their ‘now you see him/now you don’t’ first encounter.Īs proven with Jason Bourne’s pen versus knife battle, Liman knows how to stage a distinctive fight scene.

Having spent eight years living it up without any consequences, David now finds himself running - and jumping, of course - for his life in a cat-and-mouse with a crazed, and ruthlessly efficient, marksman. Jackson in bleach-haired, electrocuting mode.

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